This month, I will be participating in two events. ‘Geo-Studio’ (20 March), a geography-arts symposium at Northumbria University, and ‘Dead Wasps Fly Further‘ (Tote Wespen Fliegen Länger), a five-day workshop in conjunction with the exhibition of the same name at the Museum for Natural History in Berlin (26-30 March). The latter is a semi-public event, so here is some more information about it, in case anyone happens to be in town. The exhibition runs from 3-29 March 2015.
‘Dead Wasps fly further’, organised by STS scholar Tahani Nadim and artist Åsa Sonjasdotter, will bring together scholars, artists, activists and curators to discuss and develop issues raised by the exhibition. The exhibition and the workshop attend to the ‘traffics and trajectories of museum objects and the troubles that become tangible by accounting for these movements’. I really loved the framing of the project:
“The exhibition will consist of 3 distinct interventions: a display and wall painting, theatrical tours into the non-public collections and a short film. These interventions assemble humorous, poetic and troubling stories about anthropocentric biodiversity, colonial cultivations and cosmic care. At the same time, they represent an experiment in engaging natural history and making research public.
We consider the workshop collective conclusions as a collaborative attempt to “stay with the troubles” (Donna Haraway) catalysed by objects and research at the museum.”
Questions to be tackled – through debate, performance and activities such as zine-making – include:
“How do we narrate routes and roots without reproducing the exclusions, inequalities or expectations of Eurocentric geographies? How do we insert the human into the narratives presented by the natural history museum? Or, how to de-naturalise the natural history museum? Should we consider the wishes and wants of the Moon, comets and other planets in our explorations of them? How can the museum and its collections help us learn from their troubles, account for other histories and figure a language to tell these?”
Participants were asked to engage with the museum’s collections in the kind of material and talks they bring to the workshop. I will talk about reappropriations of museum objects by anti-colonial activists such as the négritude writers who extensively re-read the findings of Leo Frobenius, a controversial German ethnologist and archaeologist specialising in African history and art.
There will be at least one public event (I definitely remember the 30 March Monday morning one!). I will be posting details here, as soon as they become available. The project is supported by the German Federal Cultural Foundation (Kulturstiftung des Bundes) and the Museum für Naturkunde.