My new article ‘We Are the World? Anthropocene Cultural Production between Geopoetics and Geopolitics‘ is now out in the ‘Geo-Social Formations and the Anthropocene’ Special Issue of Theory, Culture & Society. It was written two years ago, and should be read as the predecessor of the Geoforum article on geopoetics and geopolitics. Big thank you to Kathryn Yusoff and Nigel Clark for inviting me to participate in this issue. Other authors include Myra J Hird and Simon Dalby.
The article is also the second in a series of three on interwar ‘cosmic’ materialisms and their implications for the present. The previous one, ‘Negotiating the Inhuman: Bakhtin, Materiality & the Instrumentalisation of Climate Change’ was also published by Theory, Culture & Society. The third one is currently under review at another journal.
The proposal of the ‘Anthropocene’ as a new geological epoch where humans represent the dominant natural force has renewed artistic interest in the ‘geopoetic’, which is mobilized by cultural producers to incite changes in personal and collective participation in planetary life and politics. This article draws attention to prior engagements with the geophysical and the political: the work of Simone Weil and of the editors of the Martinican cultural journal Tropiques, Suzanne and Aimé Césaire. Synthesizing the political and scientific shifts in human-world relationships of their time, both projects are set against oppressive or narcissistic materialisms and experiment with the image of the ‘cosmic’ to cultivate a preoccupation not (only) with a tangible materialism but with an intangible one that emphasizes process and connectivity across wide spatial and temporal scales. The writers’ movement between poetics and politics will be used to enquire what kind of socio-political work a contemporary geopoetic could potentially do.