Image: “Abyss” by Alpha Coders
While working on my section for the forthcoming Routledge International Handbook of Interdisciplinary Methods, I stumbled upon an old essay on researching with Michel Serres and Mikhail Bakhtin. It is one of three essays that I wrote in 2005/2006 for the social theory module of my MSc in Human Geography Research Methods at the Open University. I had stopped being a Fashion student in 2003 and had worked on my own for two years to develop a theoretical project. At the same time, I was negotiating the future of my art practice and how it might sit within an academic framework as a “method”. The MSc, and especially this module, gave me the opportunity to explore a lot of different theories and experiment with my writing. There are quite a few essays and working papers that I have never published, but am thinking of re-editing for teaching use. When I ran the Theory Surgery at the British Library café, the Serres/Bakhtin essay often came in handy as an example, and I was planning on publishing it, however I gradually became unsure about it, because I felt I had moved on in theoretical and stylistic terms. Looking at it now, I think it already shows some of my current themes, although I would probably turn to different philosophers now for the same questions due to the growing influence of feminist/queer/postcolonial critique on my work. Despite this shortcoming, I feel that it still offers some useful prompts, which is why I have decided to upload it after 12 years on my hard drive. Here, then, is some vintage Mutable Matter – even including adorable references to Open University ‘audio-cassettes’!
Less a juncture to control than an adventure to be had –
Working with Michel Serres and Mikhail Bakhtin (pdf)
What is it like to work with the ideas of Michel Serres and Mikhail Bakhtin as a researcher, especially as an early career researcher? How might their ideas and experiments affect you at various stages of your research, from asking questions to writing for particular audiences? In this essay, I focus on themes in their work that resonate with my own project, which considers the relation between the human and nonhuman in method, and also incorporates sensory methods. The themes of communication, invention and responsibility are discussed through Serres’ and Bakhtin’s non-linear philosophies, represented through the gods Hermes and Janus respectively. After some more project focused discussions, I end on a set of general observations on the relationship between theory and method or ‘practice’.